The Devil’s Orchid, my WIP, is set in a contemporary Vermont city. I suspect most people’s image of a Vermont city is a large town with loads of picturesque old homes, tons of green space and quaint farm-folk and maybe some artsy-hippy types. This is true to an extent, but more true of Vermont in the 1970’s or 1980’s. To depict it as such in 2013 would be to leave out a vital element: atrocities.
I’m not going into a history lesson, but over the last two decades the face of Vermont has changed because of several waves of immigrants. In my story Mallory, the main character, is staying with an aunt who over the years has been instrumental in revitalizing her neighborhood as a safe haven, particularly for Ugandan refugees. Read More
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This setting is not only a more correct vision of
contemporary Vermont, it’s an element I had firmly in mind when I came up with
my story. But this idea had faded a little as I dashed through the first draft. As I revise, I’m having to think once more about the atrocities the citizens of Mallory’s neighborhood
have lived through. It’s not
the story’s main thread, far from it, but it is part of the story’s inspiration
and something I can’t neglect.
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